TRANCE by Arnont Nongyao and Piyarat Piyapongwiwat at Gallery VER, Bangkok

According to curator Lyla Phimanrat, “Arnont Nongyao and Piyarat Piyapongwiwat’s work in TRANCE exhibition is originally based on the artists’ Continue reading →

Randian review of Makha Sanewong na Ayuthaya

Makha Sanewong na Ayuthaya is a young artist to watch, based in Bangkok, Thailand. He recently held his first solo Continue reading →

ArtAsiaPacific profile of Orawan Arunrak

ArtAsiaPacific magazine (issue 90 – September/October 2014) has published a short profile of Bangkok-based artist Orawan Arunrak, in which I Continue reading →

Valuing the subjective at the 31st Century Museum of Contemporary Spirit

The Lifted Brow issue 23 (July/August 2014) is “The Ego Issue.” It contains an essay from me about senior Thai Continue reading →

ArtAsiaPacific review of Chea Sereyroth

ArtAsiaPacific online has published my review of Battambang-based artist Chea Sereyroth’s Mohuntakray (Disaster), a solo exhibition held at Phnom Penh’s Romeet Contemporary Art Continue reading →

ArtAsiaPacific review of Lim Sokchanlina

Issue 88 (May/June ’14) of Hong Kong-based ArtAsiaPacific magazine includes my review of Phnom Penh-based artist Lim Sokchanlina‘s Urban Street Night Club, a solo Continue reading →

On the Coevalities of the Contemporary in Cambodia: Review Essay on Chan Dany

Contemporaneity: Historical Presence in Visual Culture is a peer-reviewed academic journal published by the University of Pittsburgh, USA, with an advisory Continue reading →

Khvay Samnang’s “Human Nature” at Tomio Koyama Gallery, Singapore

“Human Nature” is a solo exhibition by Khvay Samnang at Tomio Koyama Gallery, Singapore. The artist and gallery were kind enough Continue reading →